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台灣影像新勢力 Taiwanese Trends in Short
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天堂爭奪戰 Nintendo Heaven |
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| *動畫＆實驗專題(三) Animation and Experimental ShortⅢ* |
| 左乙芳 Tsu Yi-Fang |
| HD / 國、台語 / 中文字幕 / Color / 2009/56 min |
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| 民國70年代，”任天堂”電玩遊戲機以前所未見的高科技玩具之姿衝擊全台小孩的童年。原是孩子王的阿正，因為買不起任天堂慘遭同儕淘汰了…。經過阿正一番漫長努力，證實就連聖誕老公公都救不了他，於是獨自遊蕩街頭的阿正，竟犯下了一件不可思議難以挽回的錯事…?! |
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| During the 1980s, the first high-tech game, Nintendo video game, captured every child in Taiwan. A-Zheng, who used to a chief among kids, could not afford to buy Nintendo game consoles, and was edged out by his peers…Despite a lot of hard work, it turned out that not even Santa Claus could save him. Wandering alone in the street, A-Zheng committed something inconceivable and irreparable…?! |
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用“任天堂”為雙關語包裝的一部活潑可愛的短片。片中小朋友們的天堂就是他們趨之若鶩的「任天堂」，用來暗喻這世上任何引起我們不滿足的物質象徵。
回想起我們的童年往事，有多少看似微不足道的小事卻影響了我們的一生，當你想起那些讓你長大的關鍵時，有沒有覺得很奇妙?
運用小孩的純真，配上曲折離奇的故事、活潑逗趣的情節，體現生命本質的美好，希望大家重拾心底的童真，是創作這部片的用意。 |
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| his is a lively short film with a pun on the word “Nintendo” (the Chinese characters for “tendo” mean “heaven”). For the children in the film, heaven is “Nintendo” that they long to have. It suggests any material object that arouses our desire. There are many seemingly trivial things from our childhood that affect our whole lives. Do you feel a sense of wonder when you think about those things that made you grow up? My intention of making this film is to use childhood innocence, an intricate story and a sense of humor to embody the goodness of life, in the hope of awakening the child in everyone. |
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| 畢業於國立台灣藝術大學電影系(National Taiwan University of Arts The Department of Motion Picture)，學生時期便熱衷電影事業及影像創作，曾參與過數部華語電影製作，其作品充滿了對人性的體察、社會的關懷，以幽默的敘事風格，和活潑的想像力組成影片基調，希望賦予觀眾娛樂性觀感的同時又發人省思，給觀眾一個正面的情緒抒發管道。 |
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| Graduated from the Department of Motion Picture of the National Taiwan University of Arts. As a student, he was already involved in film and video production. He participated in the production of several Mandarin films. His work shows a great understanding of human nature and a deeply caring attitude towards society. A humorous narrative style and vivid imagination set the basic tone of his films, which intend to be both recreational and thought-provoking, providing a positive channel for the audience to vent their feelings. |
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