I Don't Feel at Home Anywhere Anymore
A wistful but witty account of a trip to Beijing by director Viv LI, a Chinese art student who has been abroad for ten years. Her stay with her family mercilessly exposes how uprooted she has become...
No Desire to Hide
WU Haohao, a worshipper of MAO Zedong, describes himself as a video producer. He shoots a lot of videos, mostly with sexual content. He and his girlfriend try to function in an open relationship,...
Silence in the Dust
More than twenty years ago, Dazhang along with his three brothers came to Guangdong to work in a local quartz powder factory. However, a few years later, Dazhang was diagnosed with advanced staged...
I Wish You Happy Moon Festival
Between unsatisfying phone calls, between Chinese holidays I no longer celebrate, you might find the grief in my lungs, breathing in and breathing out. This is a film in memory of my grandmother, who...
Blue House
When the pandemic broke out, the filmmaker began to document the outside world from her window. A public space, Blue House, was finally realised but made empty for an indefinite time.
Usambara Violet
Some potted plants, odd hours of wakefulness, and the view from my window. A heliotropic film from the lockdown in Budapest.
off (I don't know when to stop)
Day after day, sunset light travels through the kitchen. Lamps carry on when the sky gets dark. The frame finds its balance. Life in work and work in life.
The Last Name of John Cage
With only 4 minutes and 33 seconds, how much can one imagine and feel? The Last Name of John Cage acts as a dialogue between the silence of the first lockdown and a loud inner tension.
What is it that you said?
Filmed during the pandemic time, the film tracks the quiet movement of light and time, marking the progress of a year of small movements and intimate, imperfect exchanges.