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O for Opium

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I see พญานาค (Phaya Nāga) elsewhere

In the artist's first solo return to Bangkok, they navigate the unfamiliar within the familiar. Through technological fantasies of an alternate self left unexplored in Hong Kong, they interrogate artificial intelligence in search of answers. By observing and emulating local youth culture, they reflect on lifestyle, belief, and their evolving understanding of identity.

TIDF Article｜Videotage × Forum Lenteng： Scales of Passage

As I Imagine My Body Moving

After a sudden health crisis, a former dancer confronts a buried wound carried for over twenty years. The film explores kinaesthetic separation between body and consciousness, where illness fractures time, space and self-perception. In states of immobilisation and depersonalisation, the body reveals an autonomy beyond conscious control.

Diaspora (Generasi Sekian)

Shortly before Indonesia's 2014 presidential election, an ethnic Chinese filmmaker and her family travelled to Malaysia, fearing unrest linked to the memories of May 1998. The journey unfolds into a story of generational survival, tracing how migration, uncertainty, and evolving questions of identity shaped her family's life across decades.

TIDF Article｜Videotage × Forum Lenteng： Scales of Passage

Ketok

One night, a woman hears a mysterious knock at her door. On another night, her husband hears the same sound. This short film recounts their story in Indonesian, drawing on local cultural references and a distinct visual language the filmmaker associates with Indonesia's deeply rooted culture of fear.

Punishment Park

Set in a near-future United States detention camp, Punishment Park adopts a pseudo-documentary style, placing a British film crew among dissidents who, facing long prison sentences, choose instead to endure three days in the 'Bear Mountain Punishment Park' under the searing desert heat.

TIDF Article｜The Director's Statement on Punishment Park