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Love and Hope in the City

殘缺的生命如同拼圖中誨澀黯淡的色塊,遺漏任何一塊,就不是完滿的拼圖。40年來,台中的郭瑞琳醫師創辦靈光醫院和莊宏達醫師開闢瑪利亞身障者的園地,接力呵護著受傷的孩童。因為他們,城市的灰暗映襯出炫麗,殘缺啟發了慈愛。

Somewhere Over the Cloud

A series of emails that the filmmaker wrote to her late mentor, the renowned American documentary filmmaker Robert KRAMER, are woven throughout the plot of a story as the boundaries of life, distance, language, identity and nationality are re-examined from the perspective of Elodie, her daughter.

The Falling Kite

影片介於虛構與真實之間,一場夢在我內心激發出一連串的影像,三個人超越時空地相互呼應,個人的、歷史的記憶開始交錯不清。透過導演自身旅居國外的鄉愁、祖母對日據時代礦工祖父的回憶、與一位中法混血的張先生追憶父親的口述,這些回憶與傷感構成了幻境,帶領我們穿越記憶與歷史,開始在離散與放逐中試著追尋平凡百姓的內心的感情和記憶。

Lettre, L’être

對影像的出現和消失的思考。
作者自我的影像隨著創作材料的準備(磨墨),從漸漸浮現到攪亂至凝結,當毛筆吸收墨汁,作者的影像被毛筆所吞噬,作者的靈魂轉換成創作材料,成為一種符碼,作為創作行為和作者之間的一種辯証。

Recording with Mother 'Working Hands'

My mother has been an occasional subject for me ever since I first started making films.

Because she is my mother, she is the person I feel closest to. But when I'm filming her, I see sides of her that I didn't know existed. I've learned that while she is my mother, she is also another, unknowable, human being.

Karaoke Cafe BOSA

Karaoke Cafe BOSA is located in the suburbs of Osaka, Japan. It's a place where elderly neighbors gather to chat and sing. Cafe BOSA leaves traces in these days of unrest as a time capsule of the Anthropocene.

Thus A Noise Speaks

When Kacchi came back home for summer break from abroad, they came out to her family as a sexual minority. Their mother and father couldn’t take it and answered in negative. Though Kacchi had depression due to parent's reactions, They decided to face her family again through filmmaking about the ‘coming-out’.

Wittstock, Wittstock

A new kind of normality has taken hold in Wittstock, which the filmmaker has captured for us for the one last time. The big factory is no longer there. As for the three women workers, Elsbeth goes to retraining courses, always on the hunt for a job; Renate has now been working for five years as a chambermaid in a small hotel; Edith, who used to be so rebellious, has moved to Heilbronn for work and become very tranquil.

Modern Times in Wittstock

Although the director had planned to end the Wittstock documentary series at Life in Wittstock, he continued the project to capture the changes taking place in East Germany after the German reunification. This sixth instalment returns to the town shortly after the fall of the Berlin Wall. The three women workers experience various forms of instability and upheaval when the factory is liquidated; Edith leaves and start a new life in Württemberg.

Life in Wittstock

In 1974, the filmmaker began his 23-year journey of filming the women workers in a newly built textile factory in the town of Wittstock, East Germany. Life in Wittstock is the fifth instalment in the series; by then, nearly 3,000 women were working in the factory. In this film, three of the workers talk about the changes in the town, their promotions at work, and the choices and compromises they have made in their lives over the years.

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