Born in Beirut in 1983, Rawane Nassif is a Lebanese-Canadian filmmaker and anthropologist. Her eclectic practice spans experimental film, documentary, research, and writing, with projects in Lebanon, Canada, Kyrgyzstan, Tajikistan, Honduras, and Qatar. Her works include Turtles Are Always Home (Berlinale), Ode to Loneliness and Msaytbeh, the Elevated Place (IFFR), exploring memory, identity, and the transformative power of art.
Ode to Loneliness
Ode to Loneliness
Ode to Loneliness
A woman lives alone in a hotel room, filming herself, the city and her dreams over the course of a month. Suspended in time, she drifts through the city’s intricate geometries, where sharp architectural edges subtly reshape her sense of scale, intimacy and desire. As days and nights blur into dream-time, shifting rhythms and fleeting light trace a quiet passage from loneliness to aloneness.
Rawane Nassif: ‘This film started years ago when I first left Lebanon and got attached to mundane objects that filled my ever-changing spaces ever since.
This film started when I lived alone in a hotel room for a year and experienced loneliness for the first time.
This film started when my friend passed by to drop me a darbuka, crossed the street, and passed away.
This film started when I locked myself voluntarily in the house, for a month, to write my reflections, only to find out that loneliness has been there all along.
This film started when I decided to leave, and began to film the space, lest I find bits of myself scattered in it.
…
This film got shattered into a million pieces in the Beirut explosion.
This film started again when I found myself alone again, stranded in a small village, during the COVID lockdown, and only then could I finish the edit, and only then could I realise that I will leave, again.’

