TIDF精選

精選本屆TIDF最受歡迎的影片，跟著創作者的攝影機走遍各種意想不到的奇異風景。

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No Desire to Hide

WU Haohao, a worshipper of MAO Zedong, describes himself as a video producer. He shoots a lot of videos, mostly with sexual content. He and his girlfriend try to function in an open relationship, which suits only one of the partners, while the other suffers and longs for a family life. The possibility of emigration to America is a hope, but it is gradually receding due to the worsening political situation.

Remember Me

HUNG Chun-hsiu spent seven years filming three residents of Kinmen island: an owner of a local photography shop, a retired officer and a Chinese woman from Sichuan province who came to Kinmen with the hope for a better future. Using photographs and archival materials, HUNG explores the personal stories of three residents and how they reflect upon the upheavals between the two sides of the Taiwan Strait.

Soy Libre

Just released from a juvenile detention centre, Arnaud longs for just one thing: unconditional freedom. The energetic young outsider, who grew up trapped between social housing and foster families, constantly struggles to be what he should have been. Free. The film subtly paints an intimate portrait of the filmmaker's younger brother searching for his place in society and provides unique insights into their extraordinary sibling relationship.

Odoriko

Odoriko are dancers of the dying art of Japanese strip theatre. Once a popular form of entertainment, today all but 20 strip clubs have closed nationwide. Like dancers' bodies disappearing into darkness when the stage spotlight dims at a show's end, the future of the strip theatre seems destined to follow. Deliberately filmed on mini-DV tape in an archaic frame ratio, this is a poignant and artful portrait of a vanishing culture behind the curtains.

Epicentro

An immersive and metaphorical portrait of post-colonial, ‘utopian’ Cuba, and its resilient people a century after the explosion of the USS Maine in Havana, the event that ushered in the American Empire alongside a modern form of world conquest: cinema as propaganda. In Epicentro, SAUPER explores a century of interventionism and myth-making together with the extraordinary people of Havana to interrogate time, imperialism and cinema itself.

All Light, Everywhere

An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.