眼前的人事物以影像、文字、物件等方式被記錄下,記憶(名詞)就這樣被封存在膠卷、錄影帶、照片、紙張和數位檔案等各種載體之中。但記憶(動詞)也是讓事物可見的一種功夫,頑強地站在與遺忘對立的反抗位置;無論是檔案或拾得、動態或靜態,甚至是塗鴉般的手繪稿,即使在時間的長流中已褪色、扭曲、酸腐、殘破,透過現代科技的重構與虛構下,以新鮮的眼睛加以組裝、疊加、反轉,使塵封於載體中的鬼魅般的回憶逐漸甦醒,在畫面中踢著腿奮力掙扎,在重複講述、重新詮釋、放大勘驗、來回批判的過程中,得到和解、理解與解放。
Malleable Docu/Memory: Archival/Found Footage and More
Once recorded and documented, pieces of memory are sealed in reels, cassettes, photographs, papers and digital files– safeguarded by various forms of carriers. Nevertheless, a process of fading and being forgotten was simultaneously started. In this light, ‘to remember' is then an effort to make it visible, a rebellious act against oblivion, extracting memory from its carrier– be it archival or found, moving or still. Despite faded, twisted, decayed, and broken under the erosion of time, through strategies of reconstruction or fictionalisation, and techniques of collaging, splicing, superimposing, reversing, the apparition of memory thereby revives. Chances are, through re-interpretation and re-examination, the apparition of memory could be liberated and led to a state of reconciliation and further understanding.