亞洲視野競賽

落入窠臼的青春成長酸甜，思辨之下萌芽覺醒，邁開步伐準備前進自由明天。鄰國的生活記述猶如靜照瞬間，刻下民族記憶和遊子經歷，誰的當下不在奮搏低限的生存？以視覺、聽覺、知覺回望今昔，大時代的流轉在15部入圍影片中逐漸顯影，匯聚而成當今亞洲圖像。

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【第十三屆台灣國際紀錄片影展】亞洲視野競賽競賽預告 Asian Vision Competition Trailer

How to Improve the World

Resisting the westernised reliance on images for creating narratives and experiencing the world, the film turns to music and sound as a way of perceiving through listening. While observing the loss of land and traditional ways of living, this aurally centred film reflects on the past, present and future of indigenous cultures of the people in Vietnam's Central Highlands.

Transparent, I am.

In 2020, when the world was forced to 'change', I wanted to confirm what had changed and what hadn't in me. The white mask I wore became the screen projecting my past. My family members sometimes suffer a lot, but support me nevertheless when I experience schizophrenia. We live today to the fullest while continuously looking for the answer to 'who we are'.

Tokyo Kurds

In the 1990s, about 2,000 Turkish Kurdish refugees settled in a suburb of Tokyo; however, up until today, most of them are still illegal immigrants. Ozan has been working illegally as a construction worker, and is anxious about his uncertain future. Mehmet spent 520 days in detention for no apparent reason while suffering from a critical health condition without medical aid. Ramazan has been trying various ways to obtain a visa but his illegal immigrant status has kept him from his dream.

Side by Side

It was estimated that hundreds and thousands of people were forced to marry between 1975 and 1979 during the Khmer Rouge rule. The film delves into the past through daily routines in a rural indigenous village, as an elder couple recall their strange marriage to their grand-daughter, and sometimes to each other, in the changing rhythm of nature around them.

Ploy

Inspired by the diary of a migrant worker, the film weaves several social and artistic threads together: the life a Thai migrant sex worker named Ploy who works in Singapore's 'jungle brothel'; the narratives of other migrant workers; an exploration of Singaporean forests and public parks; and the process through which the artist-filmmaker delves into and revisits Ploy's experience with an array of visual media.

Odoriko

Odoriko are dancers of the dying art of Japanese strip theatre. Once a popular form of entertainment, today all but 20 strip clubs have closed nationwide. Like dancers' bodies disappearing into darkness when the stage spotlight dims at a show's end, the future of the strip theatre seems destined to follow. Deliberately filmed on mini-DV tape in an archaic frame ratio, this is a poignant and artful portrait of a vanishing culture behind the curtains.

Little Palestine, Diary of a Siege

The district of Yarmouk in Syria sheltered the biggest Palestinian refugee camp in the world from 1957 to 2018. When the Syrian revolution broke out, the regime saw Yarmouk as a refuge of rebels and has set up a siege since 2013. Gradually deprived of food, medicine and electricity, the besieged inhabitants decided to face the siege with rallying, study, music, love and joy.

A Night of Knowing Nothing

L, a university student in India, writes letters to her estranged lover, while he is away. Through these letters, we get a glimpse into the drastic changes taking place around her. Merging reality with dreams, memories, fantasies and anxieties, an amorphous narrative unfolds.

A Rifle and a Bag

Somi and her husband are striving to build a new life after fighting for a decade alongside the Naxalites, a Maoist guerrilla group from India. In the aftermath of surrendering to the police, the couple is struggling to safeguard their children's future through education. But the central government, they once fought against, seems to deny them a future and redemption.

A Silent Gaze

Since 2009, the filmmaker has spent 12 years documenting the ever-changing times of three townships along the coast of Tainan County, namely Beimen, Jiangjun and Qigu. Through the lenses, human activities are seen closely connected with the surrounding nature, while maintaining its own charm. The film subtly captures a singular way of life and a sense of time suspended in the past, present and future.

As a part of a discussion on memory and detemporality, this work comes in another 3-channel video installation as further dialogue with this single-channel video.

Asian Vision Competition

The portrayal of the lives in the neighbouring countries caught in a still moment, eternally etched in nations’ memories and remembered by those who travel away from home. With our eyes, ears and hearts, we look back at what happened in the past and observe what is happening now. The changes in our times are gradually revealed in the 15 selected titles, depicting a collective portrait of modern Asia.