德國導演弗柯・克普(1944–)生於波羅的海旁的斯德丁——二戰前屬於德國,戰後被劃分為波蘭的領土,更名為斯塞新;原在此地生活的德國人相繼離開。克普從自身的故鄉經驗體察到:外在的政治與戰亂,會迫使一個地方的人事物產生變化,而這些變化,也銘刻在人的成長軌跡與記憶之中。這樣的關懷視角,成為貫穿他紀錄片的創作觀點。

克普在東德時期開始創作,自1970年代起,生涯已累積超過60部作品,包括記錄長達23年的「維茨托克女工」系列、適逢柏林圍牆倒塌與東西德合併的「布蘭登堡三部曲」,而經歷納粹集中營的倖存者、戰亂流離或生活在國境邊陲的人們,也都是他的拍攝對象。這些人常常因為導演一句簡單的提問「你從哪裡來?」而開始真情流露,侃侃而談。

許多人以「地景電影」來定位克普的作品。他雖著眼地緣政治,卻未側重在表面上的複雜局面;他真正關注的是,人與地方的共生關係、變與不變,並從中追尋歷史、文化、政治與自我認同。

習慣從邊陲望向中心的他,也從邊景探究真實。 

 

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Sons

Brothers Klaus, Wolf, Friedrich, and Rainer PAETZOLD were born in West Prussia between 1938 and 1944. Fleeing the Soviet Red Army in 1945, their mother managed to escape to the West with her two elder sons, but was forced to leave her two younger sons behind with their grandparents. Sons tells the story of this German-Polish family, spanning from the post-war period to the present day.

In Sarmatia

In ancient times, the vast area between the Vistula, the Volga, the Baltic Sea, and the Black Sea was called ‘Sarmatia’, where Moldova, Belarus, Lithuania, and Ukraine can be found today. Quoting the works of the Sarmatia-born German poet Johannes BOBROWSKI (1917–1965), KOEPP travels through the area, depicting the region as the ‘dreamland where all nations and religious [groups] would find their place if history had not ploughed it all up over and over again’.

Wittstock, Wittstock

A new kind of normality has taken hold in Wittstock, which the filmmaker has captured for us for the one last time. The big factory is no longer there. As for the three women workers, Elsbeth goes to retraining courses, always on the hunt for a job; Renate has now been working for five years as a chambermaid in a small hotel; Edith, who used to be so rebellious, has moved to Heilbronn for work and become very tranquil.

March Brandenburg, Inc.

The final instalment of March Brandenburg trilogy moves away from the town of Zehdenick in order to focus on the rural areas north of Berlin. Made in the period between the currency union in East Germany and the official reunification in October 1990, the film shows how drastically the lives of the residents have changed, as crippling unemployment has taken the place of hard work.

Berlin-Stettin

The director revisits places of his own past. Born in 1944 in Stettin (now the Polish city of Szczecin) and grown up in Berlin-Karlshorst, he has met and turned numerous people and locations between the two cities into the protagonists of his films. Now, he returns to them to find out more about the history of this region, and how much of his own life has overlapped with the lives of his protagonists.

March Brandenburg Bricks

Spring, 1989: For exactly 100 years, the brick-making industry has determined the rhythms of life in Zehdenick, a small town north of Berlin in the state of Brandenburg. Veteran and young brickmakers speak openly and critically about their working and living conditions. As the first instalment of Volker KOEPP's March Brandenburg trilogy, this film was premiered in October 1989, one month before the fall of the Berlin Wall, at the Mannheim Film Festival in West Germany.

Life in Wittstock

In 1974, the filmmaker began his 23-year journey of filming the women workers in a newly built textile factory in the town of Wittstock, East Germany. Life in Wittstock is the fifth instalment in the series; by then, nearly 3,000 women were working in the factory. In this film, three of the workers talk about the changes in the town, their promotions at work, and the choices and compromises they have made in their lives over the years.

Modern Times in Wittstock

Although the director had planned to end the Wittstock documentary series at Life in Wittstock, he continued the project to capture the changes taking place in East Germany after the German reunification. This sixth instalment returns to the town shortly after the fall of the Berlin Wall. The three women workers experience various forms of instability and upheaval when the factory is liquidated; Edith leaves and start a new life in Württemberg.

March Brandenburg Heath, March Brandenburg Sand

The second instalment of March Brandenburg trilogy captures the conversations taking place in Zehdenick during the weeks leading up to the first free elections in spring 1990. Including previously censored footage of March Brandenburg Bricks, this film reflects the hopes and concerns of the business community, working class women, and young people during 'Die Wende', the period of political change in East Germany.

Mr Zwilling and Mrs Zuckermann

Chernivtsi, a city in western Ukraine (Czernowitz in German) used to be the centre of the Jewish culture, but only a handful of its Jewish residents survived the concentration camps—Mr ZWILLING, the self-proclaimed pessimist, was one of them. Everyday, Mr ZWILLING visits the elderly Mrs ZUCKERMANN to speak German, to talk about Judaism and their city, and to reminisce about the war.

Filmmaker in Focus: Volker KOEPP

The German director Volker KOEPP (1944–) was born in Stettin, a German port city transferred to Poland and renamed Szczecin after World War II. Political strife and scars of war marked the trajectory and memory of his formative years, informing the creative perspective of his documentary films.

Beginning his professional career in East Germany in the 1970s, KOEPP has completed more than 60 films, including a series of seven documentaries, spanning 23 years, about the female workers at a textile factory in Wittstock, and the March Brandenburg trilogy, filmed during the fall of the Berlin Wall and the reunification of Germany. His subjects often include concentration camp survivors, people fleeing from war, and residents of borderlands; often the simple question of ‘Where do you come from?’ can prompt them to pour their hearts out to him.

These works are labelled as 'landscape films'. Mindful of greater geopolitical implications, he is nevertheless unperturbed by transitory disturbances, choosing instead to explore the deeper symbiotic relationship between the people and the land, the changing and the unchanged, along with the attached histories, cultures, politics, and self-identities.

Always gazing at the centre of things from the border regions, Volker KOEPP seeks truth from the fringe.

 

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Films

Berlin-Stettin

Berlin-Stettin

2009
Germany
110min
弗柯・克普
Volker KOEPP

In Sarmatia

In Sarmatia

2013
Germany
120min
弗柯・克普
Volker KOEPP

Life in Wittstock

Life in Wittstock

1984
German Democratic Republic (GDR)
82min
弗柯・克普
Volker KOEPP

March Brandenburg Bricks

March Brandenburg Bricks

1989
German Democratic Republic (GDR)
35min
弗柯・克普
Volker KOEPP

March Brandenburg Heath, March Brandenburg Sand

March Brandenburg Heath, March Brandenburg Sand

1990
Germany
55min
弗柯・克普
Volker KOEPP

March Brandenburg, Inc.

March Brandenburg, Inc.

1991
Germany
75min
弗柯・克普
Volker KOEPP

Modern Times in Wittstock

Modern Times in Wittstock

1992
Germany
100min
弗柯・克普
Volker KOEPP

Mr Zwilling and Mrs Zuckermann

Mr Zwilling and Mrs Zuckermann

1999
Germany
126min
弗柯・克普
Volker KOEPP

Seascape

Seascape

2018
Germany
135min
弗柯・克普
Volker KOEPP

Sons

Sons

2007
Germany
111min
弗柯・克普
Volker KOEPP

Wittstock, Wittstock

Wittstock, Wittstock

1997
Germany
119min
弗柯・克普
Volker KOEPP
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